Claire Denis’ “Both Sides of the Blade”
Michael Curry Michael Curry

Claire Denis’ “Both Sides of the Blade”

This low grade soap with high grade actors takes an unsavoury delight in Binoche’s misery (and nudity) while sporting an air of self-importance undercut by laughably on-the-nose symbolism

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Santiago Mitre’s “Argentina, 1985”
Michael Curry Michael Curry

Santiago Mitre’s “Argentina, 1985”

Compelling and accessible true-life courtroom drama recalls the antifascist struggle of a group of prosecutors tasked with indicting key members of the military for their brutal campaign which resulted in the murder and torture of thousands

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Russell Owen’s “Shepherd”
Michael Curry Michael Curry

Russell Owen’s “Shepherd”

Bland cinematography and editing along with a clunky, trope-heavy script fails to capitalise on its epic setting or ideas

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Mark Jenkin’s “Enys Men”
Michael Curry Michael Curry

Mark Jenkin’s “Enys Men”

Those expecting a horror will be disappointed but those willing to allow themselves to be absorbed by the atmosphere of this enigmatic and experimental work will be rewarded

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Henry Selick’s “Wendell & Wild”
Michael Curry Michael Curry

Henry Selick’s “Wendell & Wild”

Surprisingly mature collaboration with Jordan Peele that puts style in service of story in a tale of loss, guilt, community and political intrigue which isn’t afraid to bare its teeth

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Audrey Diwan’s “Happening”
Michael Curry Michael Curry

Audrey Diwan’s “Happening”

Harrowing visit to a past to which no sensible human being would want to return told masterfully and intimately through a terrific lead performance by Anamaria Vartolomei

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Chinonye Chukwu’s “Till”
Michael Curry Michael Curry

Chinonye Chukwu’s “Till”

An important story raised by outstanding performances across its cast and the inclusion of Keith Beauchamp’s contribution to the script

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Carla Simón’s “Alcarràs”
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Carla Simón’s “Alcarràs”

Multilayered slice of life on family, childhood, growing up, modernisation and farming as a family face their last harvest on a generations’ held farm in Alcarràs, Catalonia

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Eric Appel’s “Weird: The Al Yankovic Story”
Michael Curry Michael Curry

Eric Appel’s “Weird: The Al Yankovic Story”

A hilarious, cinema-literate pastiche of the rock biopic whose strength comes from its ability to play even the most ridiculous with a straight face led heroically by a terrific comedy performance from Daniel Radcliffe

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Ruth Paxton’s “A Banquet”
Michael Curry Michael Curry

Ruth Paxton’s “A Banquet”

Some exceptional direction from Paxton and terrific performances fail to save a meandering script which compares unfavourably to Rose Glass’ “Saint Maud” for which it has some striking similarities

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Tom George’s “See How They Run”
Michael Curry Michael Curry

Tom George’s “See How They Run”

Enjoyable, theatrical whodunnit built around Agatha Christie’s long running stageplay The Moustrap(which it doesn’t spoil) is a playful romp led by pitch perfect performances from Sam Rockwell and Saoirse Ronan

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Gastón Duprat & Mariano Cohn’s “Official Competition”
Michael Curry Michael Curry

Gastón Duprat & Mariano Cohn’s “Official Competition”

In a year full of satire, this wins out with a sharp and witty script, outstanding performances and great humour that plays out like a combination of Fellini’s “8½” and Frank Oz’s “Dirty Rotten Scoundrels” with an Almodovar sensibility

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Carlota Pereda’s “Piggy”
Michael Curry Michael Curry

Carlota Pereda’s “Piggy”

This thoughtful and effective film led by a powerhouse performance from Laura Galán crosses genres creating something which effortless slips between drama, comedy, thriller and grindhouse

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Bi Gan’s “A Short Story”
Michael Curry Michael Curry

Bi Gan’s “A Short Story”

This live action 15-minute fairytale poem about a black cat on a quest for the most precious thing in the world is chock full of visual puzzles, cryptic dialogue and beautiful imagery

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